Librae south (weight of direction)2016-2021Stoneware and pit-fired ceramic with mixed media45 x 30 x 16”Available

Librae south (weight of direction)

2016-2021

Stoneware and pit-fired ceramic with mixed media

45 x 30 x 16”

Available

The inward journey (where no one knows an oar)2020-2021Cold finish bronze on earthenware with oar and rope82.5 x 15 x 13”Available

The inward journey (where no one knows an oar)

2020-2021

Cold finish bronze on earthenware with oar and rope

82.5 x 15 x 13”

Available

Voyage totem (layered psyche)2019-2021Stain on canvas with branches and found objects72 x 28 x 6”Available

Voyage totem (layered psyche)

2019-2021

Stain on canvas with branches and found objects

72 x 28 x 6”

Available

Infinite wave (prophet of the swells)2020-2021Stain on earthenware with found object43 x 11 x 19”Available

Infinite wave (prophet of the swells)

2020-2021

Stain on earthenware with found object

43 x 11 x 19”

Available

Seer of the vast open (inner realm)2020-2021Chalk pastel, charcoal and ink on paper20 x 16 x 1.5”Available

Seer of the vast open (inner realm)

2020-2021

Chalk pastel, charcoal and ink on paper

20 x 16 x 1.5”

Available

Navigating the deep pelagic (map of duration)2021Paint and charcoal on rusted metal42 x 42 x 1”Available

Navigating the deep pelagic (map of duration)

2021

Paint and charcoal on rusted metal

42 x 42 x 1”

Available

Angel of the west (guide of the setting sun)2020-2021Chalk pastel and charcoal on paper30 x 22 x 1.5”Available

Angel of the west (guide of the setting sun)

2020-2021

Chalk pastel and charcoal on paper

30 x 22 x 1.5”

Available

NSEW (lost compass of the soul)2020-2021Stain and glaze on earthenware19 x 30 x 28”

NSEW (lost compass of the soul)

2020-2021

Stain and glaze on earthenware

19 x 30 x 28”

Available

Liminal gateway (deep time)2021Pastel and charcoal on paper22 x 30 x 1.5”Available

Liminal gateway (deep time)

2021

Pastel and charcoal on paper

22 x 30 x 1.5”

Available

Miracle of the catch (sands of time)2019-2021Mixed MediaAvailable

Miracle of the catch (sands of time)

2019-2021

Mixed Media

Available

Building a mystery (home)2020Chalk pastel, charcoal and ink on paper16 x 20 x 1.5”Available

Building a mystery (home)

2020

Chalk pastel, charcoal and ink on paper

16 x 20 x 1.5”

Available

Pinion I (shadowed bough)2020Chalk pastel, charcoal and ink on paper16 x 20 x 1.5”Availa

Pinion I (shadowed bough)

2020

Chalk pastel, charcoal and ink on paper

16 x 20 x 1.5”

Available

Descent (far from shore)2007-2021Stoneware with stains and found object24 x 21 x 7”Available

Descent (far from shore)

2007-2021

Stoneware with stains and found object

24 x 21 x 7”

Available

Last sojourn (facing into the south)2020-2021Cold finish bronze on earthenware with branches and rope36 x 78 x 23”Available

Last sojourn (facing into the south)

2020-2021

Cold finish bronze on earthenware with branches and rope

36 x 78 x 23”

Available

Where does the wind come from (rebirth)2020-2021Stain and glaze on earthenware with finch nest20.5 x 17 x 15”

Where does the wind come from (rebirth)

2020-2021

Stain and glaze on earthenware with finch nest

20.5 x 17 x 15”

Ascending pathways (of tomorrows)2020-2021Stain on earthenware with curly willow, twine and nest20.5 x 17 x 15”Available

Ascending pathways (of tomorrows)

2020-2021

Stain on earthenware with curly willow, twine and nest

20.5 x 17 x 15”

Available

Muse of the mist (dream figure)2020-2021Chalk pastel and charcoal on paper30 x 22 x 1.5”Available

Muse of the mist (dream figure)

2020-2021

Chalk pastel and charcoal on paper

30 x 22 x 1.5”

Available

Remains of the ancient way (seabed memory)2020-2021Stain and glaze on earthenware9.5 x 64 x 10”Available

Remains of the ancient way (seabed memory)

2020-2021

Stain and glaze on earthenware

9.5 x 64 x 10”

Available

Shared passage (drifting along the invisible current)2020-2021Stain and glaze on earthenware with nests23 x 33 x 10”Available

Shared passage (drifting along the invisible current)

2020-2021

Stain and glaze on earthenware with nests

23 x 33 x 10”

Available

Hearing the call to leave (hovering)2020-2021Chalk pastel and charcoal on paper30 x 22 x 1.5”Available

Hearing the call to leave (hovering)

2020-2021

Chalk pastel and charcoal on paper

30 x 22 x 1.5”

Available

Silent viewing (eddy of mossy dreams) 2020-2021Stain and glaze on earthenware 19 x 12 x 7”Available

Silent viewing (eddy of mossy dreams)

 2020-2021

Stain and glaze on earthenware

 19 x 12 x 7”

Available

Foam flecked (looking towards the deep)2020-2021Stain and glaze on earthenware23.5 x 10 x 9”Available

Foam flecked (looking towards the deep)

2020-2021

Stain and glaze on earthenware

23.5 x 10 x 9”

Available

Pinion II (threaded bough)2020Chalk pastel, charcoal and ink on paper16 x 20 x 1.5”Available

Pinion II (threaded bough)

2020

Chalk pastel, charcoal and ink on paper

16 x 20 x 1.5”

Available

Navigating the deep pelagic

The Progress Gallery, 2021

“Catling’s wonderfully down-to-earth works expand our capacity to understand that our bodies are vehicles for understanding—not merely tools for physical transport, but occasions for journeys that take us far beyond the literal distances we actually travel, into dimensions commonly referred to as internal, subjective, poetic, existential, or spiritual.”

- Los Angeles Art Critic-David Pagel

This body of work explores how the horizontal and vertical interact; as they relate to birth and death, the spiritual and the physical, water and vapor, matter and spirit. 

The boat forms hover in the horizontal liminal space between the fluidity of liquid and the intangibility of air; functioning as a kind of container for the human spirit. 

These forms reflect the interior space humans occupy at the soul level, the deepest part of the self. 

The works exist as a way of seeing in association with the power of memory, suffering and hope. 

The boat forms and the nests are symbolic of an internal journey, of silent prayer, of transitional spaces; quietly impacting the area around them or the viewer who comes close. 

The usage of clay reinforces a connection to the earth and the way we are rooted to the land while the vessel forms create a way of navigating deep waters. 

As a whole, the work creates a type of mapping where there are no landmarks, no place to anchor, and no way to know the way, without an upward gaze into the heavens.