Navigating the deep pelagic
The Progress Gallery, 2021
“Catling’s wonderfully down-to-earth works expand our capacity to understand that our bodies are vehicles for understanding—not merely tools for physical transport, but occasions for journeys that take us far beyond the literal distances we actually travel, into dimensions commonly referred to as internal, subjective, poetic, existential, or spiritual.”
- Los Angeles Art Critic-David Pagel
This body of work explores how the horizontal and vertical interact; as they relate to birth and death, the spiritual and the physical, water and vapor, matter and spirit.
The boat forms hover in the horizontal liminal space between the fluidity of liquid and the intangibility of air; functioning as a kind of container for the human spirit.
These forms reflect the interior space humans occupy at the soul level, the deepest part of the self.
The works exist as a way of seeing in association with the power of memory, suffering and hope.
The boat forms and the nests are symbolic of an internal journey, of silent prayer, of transitional spaces; quietly impacting the area around them or the viewer who comes close.
The usage of clay reinforces a connection to the earth and the way we are rooted to the land while the vessel forms create a way of navigating deep waters.
As a whole, the work creates a type of mapping where there are no landmarks, no place to anchor, and no way to know the way, without an upward gaze into the heavens.